{"id":261,"date":"2009-04-07T19:34:56","date_gmt":"2009-04-07T18:34:56","guid":{"rendered":"http:\/\/www.laurencenicola.com\/labo\/?page_id=261"},"modified":"2024-03-15T15:54:35","modified_gmt":"2024-03-15T14:54:35","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.laurencenicola.com\/labo\/bio\/","title":{"rendered":"bio"},"content":{"rendered":"\n<p>N\u00e9e \u00e0 Avignon, France, en 1975. Vit et travaille \u00e0 Saint-Coulomb (35)<\/p>\n\n\n\n<p>Repr\u00e9sent\u00e9e par la <a href=\"http:\/\/segolenebrossette.com\/\">Galerie S\u00e9gol\u00e8ne Brossette<\/a>, Paris <\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Formations<\/h3>\n\n\n\n<p><strong>2002<\/strong> <strong>DNSEP f\u00e9licitations du jury<\/strong> &#8211; Ecole Sup\u00e9rieure Nationale d\u2019Art de Cergy-Pontoise (95)<\/p>\n\n\n\n<p><strong>1998<\/strong>\u00ab Le corps de la musique\u00bb, <strong>Ma\u00eetrise Arts Plastiques mention Tr\u00e8s Bien<\/strong> &#8211; Universit\u00e9 des Lettres et des Sciences Humaines &#8211; Aix-en-Provence (13)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Expositions personnelles ou duo<\/h3>\n\n\n\n<p><strong>2023<\/strong> <strong>\u00ab\u00a0Na\u00eetre de l&rsquo;infime\u00a0\u00bb<\/strong> Centre d&rsquo;Art L&rsquo;H du Si\u00e8ge &#8211; Valenciennes (59)<\/p>\n\n\n\n<p><strong>2022<\/strong> <strong>\u00abEntre terre et mer\u00bb<\/strong>, EsadHar &#8211; Rouen<\/p>\n\n\n\n<p><strong>2021<\/strong> <strong>\u00ab&nbsp;Fantastique Naturel&nbsp;\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette &#8211; Paris  <\/p>\n\n\n\n<p><strong>2019 \u00abPaysages de r\u00eaves\u00bb<\/strong>, commissaire Laurent Qu\u00e9n\u00e9hen &#8211; Centre d\u2019Art Aponia &#8211; Villiers-sur-Marne (94)<br><strong>2016 \u00abEntre tours et d\u00e9tours\u00bb<\/strong>, Moments artistiques, Chez Christian Aubert, Paris<br><strong> 2015  \u00abSe rejoindre\u00bb<\/strong>, Galerie du Haut-Pav\u00e9, Paris<\/p>\n\n\n\n<p><strong>2019 \u00abPaysages de r\u00eaves\u00bb<\/strong>, commissaire Laurent Qu\u00e9n\u00e9hen &#8211; Centre d\u2019Art Aponia &#8211; Villiers-sur-Marne (94)<br><strong>2016 \u00abEntre tours et d\u00e9tours\u00bb<\/strong>, Moments artistiques, Chez Christian Aubert, Paris<br><strong> 2015  \u00abSe rejoindre\u00bb<\/strong>, Galerie du Haut-Pav\u00e9, Paris<\/p>\n\n\n\n<p><strong>\u00abBlanc D\u00e9grad(u)\u00e9\u00bb,<\/strong> avec Maryline Pomian, Galerie S\u00e9gol\u00e8ne Brossette, Paris<br> <strong>2014 \u00abReprendre son souffle\u00bb<\/strong>, La r\u00e9sidence &#8211;  Dompierre- sur-Besbre (03)<br> <strong>2011\u00abQuand la transgression flirte avec le luxe<\/strong>\u00ab\u00a0, commissaire Mehdi Brit, H\u00f4tel particulier Montmartre &#8211; Paris<br> <strong>2009 \u00abL\u2019art est ouvert 2009\u00bb<\/strong> avec Florent Lamouroux, Le jardin d\u2019h\u00e9lys-oeuvre &#8211; Saint-M\u00e9dard-D\u2019Exideuil, Dordogne (24)<br> <strong>2008 \u00abCelle qui fait\u00bb<\/strong>, Lyc\u00e9e agricole &#8211; Yvetot (76)<br><strong> 2007 \u00abPortes ouvertes\u00bb<\/strong>, Le Plateau &#8211; La malterie &#8211; Lille (59)<br> <strong>2002 \u00abSingularit\u00e9 plurielles\u00bb <\/strong>avec Mich\u00e8le Magema &#8211; Gallery Kaywon School of Art and Design &#8211; S\u00e9oul<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Expositions Collectives ( s\u00e9lections)<\/h3>\n\n\n\n<p><strong>2024<\/strong> <strong>\u00ab\u00a0Revoir demain\u00a0\u00bb<\/strong>, MAP Rosa Bonheur,Chevilly-Larue (94)<\/p>\n\n\n\n<p><strong>2023 \u00ab\u00a0Quand la mer nous parle\u00a0\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<\/p>\n\n\n\n<p> <strong>2022<\/strong> <strong>\u00abLes fruits de la terre\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<\/p>\n\n\n\n<p><strong>2021<\/strong> <strong>\u00abLa derni\u00e8res avant 2022!\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>2020 <\/strong> <strong>\u00abM\u00e9tamorphose du quotidien\u00bb<\/strong>, MAP Rosa Bonheur, Chevilly-Larue (94) commissaire Pauline Lisowski<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p> <strong>\u00abLa derni\u00e8res avant 2021!\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<\/p>\n\n\n\n<p><strong>2019<\/strong><\/p>\n\n\n\n<p><strong> \u00ab Work in progress\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<br> <strong>\u00ab56\u221a10\u00bb<\/strong>, usine Utopik, Tessy-sur-Vire (50)<br><strong> \u00ab10 ans d\u2019Utopie\u00bb<\/strong>, Abbaye-aux-Dames, Caen (50)<\/p>\n\n\n\n<p><strong> \u00ab Work in progress\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, Paris<br> <strong>\u00ab56\u221a10\u00bb<\/strong>, usine Utopik, Tessy-sur-Vire (50)<br><strong> \u00ab10 ans d\u2019Utopie\u00bb<\/strong>, Abbaye-aux-Dames, Caen (50)<\/p>\n\n\n\n<p><strong>2018 <\/strong><\/p>\n\n\n\n<p><strong>\u00abLes occupants\u00bb<\/strong>, Galerie S\u00e9gol\u00e8ne Brossette, commissaire Marie Gayet, Paris<br><strong> \u00abDe rendez-vous en rendez-vous\u00bb<\/strong>, Galerie du Haut Pav\u00e9, Paris<br><strong> \u00ab10 ans d\u00e9j\u00e0\u00bb<\/strong>, Galerie Rejane Louin, Locquirec (29)<br><strong> \u00abHi september\u00bb<\/strong>, Galerie vitrine 65, Paris <\/p>\n\n\n\n<p><strong>2017<\/strong><\/p>\n\n\n\n<p><strong>\u00abLimites naturelles\u00bb<\/strong>, Mois de la photos Off\/ Parcours Foto Fever, Galerie S\u00e9gol\u00e8ne Brossette, Paris<br><strong> \u00abHors d\u2019Oeuvres #8\u00bb<\/strong>, Espace d\u2019Art Contemporain Camille Lambert, commissaire Aur\u00e9lie Barnier, Juvisy<br><strong> \u00abSalo V\u00bb<\/strong>, salon du dessin \u00e9rotique, Galerie Episodique, Commissaire Laurent Qu\u00e9n\u00e9hen, Paris<br> <strong>\u00abMAC Paris\u00bb<\/strong>, Bastille Design Center, Paris<br><strong> \u00abInstend\u00e9mique\u00bb<\/strong>, Galerie \u00abChez Robert\u00bb hors les murs vol.2, commissaire Michel Delacroix, Bourgogne<\/p>\n\n\n\n<p><strong>2016<\/strong><\/p>\n\n\n\n<p><strong>\u00abHabiter le temps\u00bb<\/strong>, Usine Utopik, Tessy sur Vire (50)<br> <strong>\u00abHypoth\u00e8ses\u00bb,<\/strong> La couleuvre, Saint-Ouen (93)<br><strong> \u00abPetits formats\u00bb<\/strong>, Galerie du Haut Pav\u00e9, Paris<\/p>\n\n\n\n<p><strong>\u00a0\u00bb Douze mois de passion\u00a0\u00bb<\/strong> collection Annick et Louis Doucet, Le point virgule, Langueux (22)<\/p>\n\n\n\n<p><strong>2015<\/strong><\/p>\n\n\n\n<p><strong>\u00abQu\u2019est ce que je peux faire, j\u2019sais pas quoi faire\u00bb<\/strong>, Centre d\u2019Art sans Fronti\u00e8res, Hellemmes-Lille &#8211; FR<br>\u00ab\u00a0<strong><em>Hommage \u00e0 Bernard Point\u00a0\u00bb<\/em>,<\/strong> Galerie du Haut Pav\u00e9, Paris<\/p>\n\n\n\n<p><strong>2014 <\/strong><br><strong>\u00abPrologue\u00bb,<\/strong> 1er cycle photographie de plasticiens, Le Loft d\u2019Anthelme &#8211; Lille &#8211; FR<br><strong>\u00abMiam\u00bb,<\/strong> curated by J\u00e9r\u00f4me Le goff, Satellite Brindeau\/ La Manicle &#8211; Le Havr<strong>e <\/strong>&#8211; FR<\/p>\n\n\n\n<p><strong>2013<\/strong><\/p>\n\n\n\n<p> <strong>\u00abArsenic et belles dentelles\u00bb<\/strong> &#8211; commissaire Caroline Vaillant, Espace Culturel Maurice-Utrillo &#8211; Pierrefitte &#8211; FR<br><strong>\u00abSingularit\u00e9 partag\u00e9es\u00bb<\/strong> &#8211; commissaire Marl\u00e8ne Rigler, Le 116, Centre d\u2019Art Contemporain &#8211; Montreuil &#8211; FR<br><strong>\u00abSculpture en \u00eele\u00bb<\/strong> &#8211;  l\u2019\u00eele Nancy \u2013 Andr\u00e9sy &#8211; FR<\/p>\n\n\n\n<p><strong>2012<\/strong><\/p>\n\n\n\n<p><strong> \u00abkeep me in suspens\u00bb<\/strong> , The Central House of Artists \u2013 Moscou<br><strong>\u00abD\u2019abord les for\u00eats \/ Opus 3\u00bb,<\/strong> La maison Laurentine &#8211; Aubepierre sur Aube &#8211; FR<br><strong>\u00abHasard&#8230;\u00bb,<\/strong> Centre Culturel Max Juclier, Villeneuve-la-Garenne &#8211; FR<br><strong>\u00abLooping Star 2012\u00bb<\/strong>, Castel Coucou &#8211; Saarbr\u00fccken, Forbach<br><strong>Art on paper<\/strong>, Galerie V\u00e9ronique Smagghe \u2013 White H\u00f4tel &#8211; Bruxelles<br><strong>Art Paris<\/strong>, Galerie V\u00e9ronique Smagghe &#8211; Le grand Palais &#8211; Paris<\/p>\n\n\n\n<p><strong>2011<\/strong><\/p>\n\n\n\n<p><strong>\u00ab\u00a0Figure de l&rsquo;humain &#8211; L&rsquo;autre e(s)t moi\u00a0\u00bb,<\/strong> Ecole d&rsquo;art G.Jacot et Le Granit &#8211; Belfort &#8211; FR<br><strong>Drawing Now Paris<\/strong>, Galerie V\u00e9ronique Smagghe &#8211; Carrousel du Louvre &#8211; Paris<br><strong>Art Paris<\/strong>, Galerie V\u00e9ronique Smagghe &#8211; Le grand Palais &#8211; Paris<br><strong>Art on paper<\/strong>, Galerie V\u00e9ronique Smagghe &#8211; White H\u00f4tel &#8211;&nbsp; Bruxelles<\/p>\n\n\n\n<p><strong>2010<\/strong> <\/p>\n\n\n\n<p><strong>\u00ab\u00a0SLICK- contemporary Art Fair\u00a0\u00bb,<\/strong> Galerie V\u00e9ronique Smagghe &#8211; Paris<br><strong>\u00ab\u00a0Ebullition\u00a0\u00bb<\/strong>, commissaire Julie Legrand &#8211; CEPF BNP Paribas &#8211; Paris<br><strong>\u00ab\u00a0Extra\u00a0\u00bb<\/strong>, commissaire Pascal Favrel et la Malterie, Espace Le Carr\u00e9 &#8211; Lille &#8211; FR<br><strong>Salon du dessin contemporain, <\/strong>Galerie V\u00e9ronique Smagghe &#8211; Carrousel du Louvre &#8211; Paris<br><strong>Art on paper<\/strong>, Galerie V\u00e9ronique Smagghe &#8211; White H\u00f4tel &#8211;&nbsp; Bruxelles<br><strong>\u00abOrange danger\u00bb, <\/strong>Satellite Brindeau &#8211; Le Havre (76) &#8211; FR<br><strong>\u00abPignons sur rue\u00bb<\/strong>,  Maison Folie Wazemmes &#8211; Lille (59) &#8211; FR<br><strong>\u00abR\u00e9currences #1\u00bb<\/strong>,  Le Radar &#8211; Bayeux (14) &#8211; FR<br><strong>\u00abVid\u00e9o&rsquo;Appart\u00bb<\/strong>, commissaire Indira Tatiana Cruz and Mamia Bretesh\u00e9 &#8211; Paris &amp; Duba\u00ef : The Jamjar &amp; Mojo Gallery<br><strong>\u00abIl \u00e9tait une fois&#8230; des jeux et des hommes\u00bb,<\/strong> Lec lec tic Gallery, Noum\u00e9a, Nouvelle Cal\u00e9donie<br><strong>\u00abGender blending\u00bb,<\/strong> commissaire M\u00e9lanie Perrier &#8211; Galerie Michel Journiac, Universit\u00e9 Paris <\/p>\n\n\n\n<p><strong>2009<\/strong><\/p>\n\n\n\n<p><strong>\u00abLa chair de l\u2019objet 2\u00bb<\/strong>, Galerie V\u00e9ronique Smagghe Paris 3e<br><strong>\u00abLa chair de l\u2019objet\u00bb,<\/strong> commissaire Bernard Point, Aur\u00e9lie Brame, Emmanuel Rivi\u00e8re &#8211; Galerie Villa des Tourelles &#8211; Nanterre (92) &#8211; <\/p>\n\n\n\n<p><strong>2008 <\/strong><\/p>\n\n\n\n<p><strong>\u00abDessins etc&#8230;\u00bb<\/strong>, group show \u2013 Anton Weller Gallery &#8211; Isabelle Suret &#8211; Paris 6e<br><strong>\u00abLes Iconoclasses 10\u00bb<\/strong>, group show \u2013 Duchamp Gallery &#8211; Yvetot (76) &#8211; FR<br><strong>\u00abCelle qui fait\u00bb<\/strong>, solo show &#8211; Lyc\u00e9e agricole &#8211; Yvetot (76) &#8211; FR<br><strong>\u00abVid\u00e9o\u2019Appart\u00bb<\/strong>, cureted by Indira Tatiana Cruz &#8211; Paris<br><strong>\u00abL\u2019app\u00e2t du grain\u00bb<\/strong>, group show, curated by Anne Desplanques &#8211; Espace le carr\u00e9 &#8211; Lille &#8211; FR<\/p>\n\n\n\n<p><strong>2007<\/strong><\/p>\n\n\n\n<p> <strong>\u00abBruit d\u2019image\u00bb<\/strong>,ADM Gallery &#8211; Bois &#8211; Colombes (92) &#8211; FR<br><strong>\u00abLa Collection de Sophie Brossais\u00bb<\/strong>, Le dispensaire &#8211; Bruxelles<br><strong>\u00abTendre\u00bb<\/strong>, carte blanche de Julie Legrand &#8211; Ch\u00e2teau de Saint-Ouen (93) &#8211; FR<br><strong>Drawing Fair <\/strong>&#8211; Anton Weller Gallery &#8211; Isabelle Suret &#8211; Paris 6e<\/p>\n\n\n\n<p><strong>2006<\/strong><\/p>\n\n\n\n<p><strong>\u00abUnlimited Liability\u00bb<\/strong>,  with Michel Chevalier &#8211; Out space &#8211; Hambourg<\/p>\n\n\n\n<p><strong>2005<\/strong><\/p>\n\n\n\n<p><strong>\u00abAmorce\u00bb<\/strong>,  Le Barbizon &#8211; Paris 13e<br><strong>\u00ab Absence de marquage\u00bb<\/strong>, ADM Gallery &#8211; Bois &#8211; Bois &#8211; Colombes (92) &#8211; FR<\/p>\n\n\n\n<p><strong>2004<\/strong><\/p>\n\n\n\n<p><strong>\u00abC\u2019est le bouquet!\u00bb<\/strong> with Julie Legrand &#8211; Grand Wazoo Gallery &#8211; Amiens &#8211; FR<\/p>\n\n\n\n<p><strong>2003<\/strong><\/p>\n\n\n\n<p><strong>\u00abEnsemble d\u2019int\u00e9rieurs\u00bb<\/strong>, Corinne Caminade Gallery &#8211; Paris 3e<br><strong>\u00abPuzzle\u00bb<\/strong>, La vitrine Gallery &#8211; Paris 20e<br><strong>Salon Jeune Cr\u00e9ation<\/strong> &#8211; Grande Halle de la Villette &#8211; Paris 19e<br><strong>Rencontre A3 \u00abLes Ex. de Paris &#8211; Cergy\u00bb<\/strong> invited by Orlan \u2013 Art Fair St Germain des Pr\u00e9s 6e<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Projections &amp; Performances<\/h3>\n\n\n\n<p><strong>2013<\/strong> <strong>Est-Nord-Est,<\/strong> Journ\u00e9e de la culture, programmation vid\u00e9o &#8211; Saint-Jean Port Joli, Qu\u00e9bec<\/p>\n\n\n\n<p><strong>2011<\/strong> <strong>La vitrine Gallery<\/strong>, programming video \u2013 Paris<\/p>\n\n\n\n<p><strong>2010 \u00ab\u00a023 \u00e8me Rencontres Internationales des Instants vid\u00e9o Num\u00e9riques et po\u00e9tiques\u00a0\u00bb<\/strong> &#8211; Marseille &#8211; FR<br><strong>\u00ab\u00a0Parcours CARNE\u00a0\u00bb<\/strong>, projection at The Salaisons of Romainville and Forest Hill Hotel &#8211; Paris<br><strong>\u00ab\u00a0Whoopee\u00a0\u00bb<\/strong>, performance festival, Satellite Brindeau, Le Havre &#8211; FR<br><strong>L&rsquo;hybride<\/strong>, programming video &#8211; Lille (59) &#8211; FR<br><strong>Le CENTQUATRE, <\/strong>programming Video&rsquo;Appart &#8211; Paris<\/p>\n\n\n\n<p><strong>2008<\/strong> Diffusion <strong>FNAC Digitale<\/strong><\/p>\n\n\n\n<p><strong>2009<\/strong> <strong>Th\u00e9\u00e2tre Berthelot<\/strong>, programming video &#8211; Montreuil (93) &#8211; FR<\/p>\n\n\n\n<p><strong>2007 \u00abEchelle1\/1\u00bb<\/strong> Articule Gallery and Eric Letourneau &#8211; Montr\u00e9al &#8211; Qu\u00e9bec<br><strong>\u00abViva! Art Action\u00bb <\/strong>Articule Gallery and&nbsp; Eric Letourneau &#8211; Montr\u00e9al &#8211; Qu\u00e9bec<\/p>\n\n\n\n<p><strong>2005 Studio Path\u00e9 &#8211; Albatros, <\/strong>video festival, short films and documentaries- Montreuil (93) &#8211; FR<br><strong> La Machinante ,<\/strong> performances festival &#8211; Montreuil (93) &#8211; FR<\/p>\n\n\n\n<p><strong>2004<\/strong> Festival <strong>\u00abMens alors!\u00bb <\/strong>performance with Rutabaga group &#8211; Mens &#8211; Tri\u00e8ves (38) &#8211; FR<\/p>\n\n\n\n<p><strong> 2003 Centre d\u2019art contemporain de Pougues-les-Eaux<\/strong>, projection &#8211; Nannay (58) &#8211; FR<br><strong>\u00abFestival du vent\u00bb<\/strong> performance with le collectif Rutabaga &#8211; Calvi &#8211; Corse<\/p>\n\n\n\n<p><strong> 2002 Cin\u00e9ma L\u2019Entrep\u00f4t<\/strong> &#8211; Paris 14e<\/p>\n\n\n\n<p><strong> 2000 Th\u00e9\u00e2tre de l\u2019Echangeur<\/strong> &#8211; Bagnolet (93) &#8211; FR<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Residences<\/h3>\n\n\n\n<p><strong>2016<\/strong> Usine Utopik, Tessy sur Vire<\/p>\n\n\n\n<p><strong>2014<\/strong>  \u00abla R\u00e9sidence\u00bb, Dompierre sur Besbre, Allier &#8211; FR<\/p>\n\n\n\n<p><strong>2013<\/strong> Centre d\u2019Art \u00abEst-Nord-Est\u00bb, Saint-Jean- Port &#8211; Joli &#8211; Qu\u00e9bec \u2013 Canada avec la bourse du Consulat G\u00e9n\u00e9ral de France \u00e0 Qu\u00e9bec<\/p>\n\n\n\n<p><strong>2010<\/strong> Coll\u00e8ge Gabriel P\u00e9ri &#8211; Aubervilliers (93) &#8211; FR<\/p>\n\n\n\n<p><strong>2009<\/strong> \u00abL&rsquo;art est ouvert\u00bb, Le jardin d&rsquo;h\u00e9lys-oeuvre &#8211; Saint-M\u00e9dard D&rsquo;Exideuil &#8211; Dordogne (24) &#8211; FR<\/p>\n\n\n\n<p><strong>2008<\/strong> \u00abLes Iconoclasses\u00bb, Lyc\u00e9e agricole et la Galerie Duchamp &#8211; Yvetot (76) &#8211; FR<\/p>\n\n\n\n<p><strong>2007<\/strong> \u00abLe Plateau\u00bb &#8211; La malterie &#8211; Lille (59) &#8211; FR<\/p>\n\n\n\n<p><strong>2005<\/strong> \u00ab R\u00e9sidence coup de pouce\u00bb &#8211; Galerie \/ Atelier L\u2019H du Si\u00e8ge &#8211; Valenciennes (59) &#8211; FR<\/p>\n\n\n\n<p><strong>2002<\/strong> Kaywon school of Art and Design of S\u00e9oul &#8211; Cor\u00e9e du Sud<br>Awards<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Collections<\/h3>\n\n\n\n<p><strong>2022<\/strong>   Commande photographique Fonds de dotation Interconstruction &#8211; Montigny-Le-Bretonneux<\/p>\n\n\n\n<p><strong>2021<\/strong>   Artoth\u00e8que de l&rsquo;Aisne<\/p>\n\n\n\n<p><strong>2014<\/strong>   Commune de Dompierre- sur- Besbre<\/p>\n\n\n\n<p><strong>2010<\/strong>   <span style=\"line-height: 120%; orphans: 0; widows: 0;\">Artoth\u00e8que Espace d\u2019Art Actuel Le Radar \u2013 Bayeux<\/span><\/p>\n\n\n\n<p><strong>2008<\/strong>   Collection vid\u00e9o du Conseil G\u00e9n\u00e9ral de la Seine-Saint-Denis<br>Collection Lyc\u00e9e Agricole d\u2019Yvetot<\/p>\n\n\n\n<p><strong>2003<\/strong>   Collection Antoine de Galbert<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Publications<\/h3>\n\n\n\n<p>2023 Radio France s\u00e9rie \u00ab&nbsp;l&rsquo;art est l\u2019environnement&nbsp;\u00bb avec Paul Ardenne, J.Gob\u00e9, F. L\u00e9austic<\/p>\n\n\n\n<p><a href=\"https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/l-art-est-la-matiere\/eco-creation-3892797\">https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/l-art-est-la-matiere\/eco-creation-3892797<\/a><\/p>\n\n\n\n<p><strong>2022<\/strong>&#8211;<strong>2023<\/strong>  Revue Fiction-Science #0 et #00, Les presses du R\u00e9el, avec ESADHaR<\/p>\n\n\n\n<p><strong>2021<\/strong> catalogue monographique \u00e9dit\u00e9 par S\u00e9gol\u00e8ne Brossette Galerie<\/p>\n\n\n\n<p><strong>2016<\/strong> Catalogue de l\u2019exposition \u00abHabiter le temps\u00bb, Usine Utopik <br><strong> 2014<\/strong> Catalogue de l\u2019exposition \u00abReprendre son souffle\u00bb, texte de C\u00e9line Mallet<br> <strong>2011<\/strong> Revue Semaine 08.11 \u00abFigure de l\u2019humaine (I) &#8211; L\u2019autre e(s)t moi\u00bb, texte de Mich\u00e8le Waquant et C\u00e9lia Charvet<br> Magazine ART, juin 2011, Cor\u00e9e du Sud<br><strong> 2009<\/strong> Catalogue \u00ab La chair de l\u2019objet\u00bb, Bernard Point, \u00ab L\u2019art est ouvert \u00bb, Marie-C\u00e9cile Ruault-Marmande<br> <strong>2007<\/strong> Magazine num\u00e9ro 41 octobre-novembre 2007 pages 70, 71 &#8211; \u00abA poil\u00bb, texte de C\u00e9line Mallet<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Ateliers &#8211; Workshops<\/h3>\n\n\n\n<p><strong>2014-20<\/strong> Workshops Ecole Nationale Sup\u00e9rieure du Paysage de Versailles 1\u00e8re et 2\u00e8me ann\u00e9e<br> 1\u00e8re bac pro, Lyc\u00e9e Paul H\u00e9roult, Saint-Jean de maurienne.<br> <strong>2015-19<\/strong> Ateliers (CLIS, IME) avec l\u2019association La source de G\u00e9rard Garouste \u00e0 Dinard<br><strong> 2014<\/strong> Artiste intervenante classes maternelles, primaires CE1-CE2\/ CM1-CM2, classe 6\u00e8me, dans le cadre de La R\u00e9sidence \u00e0 Dompierre sur Besbre.<br><strong> 2013<\/strong> Atelier photographie, MJC Saint-Jean-port-Joli, avec le Centre d\u2019Art Est-Nord-Est, Qu\u00e9bec <br> <strong>2010<\/strong> Atelier vid\u00e9o 5\u00e8me, 4\u00e8me Coll\u00e8ge Gabriel P\u00e9ri, Aubervilliers, Conseil Regional de la Seine Saint-Denis<br><strong> 2008<\/strong> Atelier vid\u00e9o lyc\u00e9e agricole 2 classes terminales, projet initi\u00e9 par la galerie Duchamp &#8211; Yvetot ( 76)<br><strong>2002-<\/strong> <strong>04<\/strong>  \u00e9coles primaires cm1\/Cm2, projet initi\u00e9 par la  Fondation 93 : \u00abChercheurs d\u2019Art \/ Chercheurs de sciences\u00bb, \u00e9coles: les Ch\u00eanes Cergy-Pontoise &amp; Jean Mac\u00e9 &#8211; Pavillions-sous-Bois<br><strong>2003 <\/strong>H\u00f4tesse d\u2019accueil &#8211; Fondation Cartier pour l\u2019art contemporain &#8211; Paris 14 e<br><strong>1998<\/strong> H\u00f4tesse d\u2019accueil &#8211; Crestet Centre d\u2019Art (84)<br><strong>1996<\/strong> Stage didactique des arts plastiques Coll\u00e8ge Paul Girard &#8211; Avignon (84)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9e \u00e0 Avignon, France, en 1975. Vit et travaille \u00e0 Saint-Coulomb (35) Repr\u00e9sent\u00e9e par la Galerie S\u00e9gol\u00e8ne Brossette, Paris Formations 2002 DNSEP f\u00e9licitations du jury &#8211; Ecole Sup\u00e9rieure Nationale d\u2019Art de Cergy-Pontoise (95) 1998\u00ab Le corps de la musique\u00bb, Ma\u00eetrise Arts Plastiques mention Tr\u00e8s Bien &#8211; Universit\u00e9 des Lettres et des Sciences Humaines &#8211; Aix-en-Provence [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":40,"comment_status":"open","ping_status":"open","template":"page-nosidebar.php","meta":{"_uag_custom_page_level_css":"","footnotes":"","_links_to":"","_links_to_target":""},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"thoro","author_link":"https:\/\/www.laurencenicola.com\/labo\/author\/thoro\/"},"uagb_comment_info":0,"uagb_excerpt":"N\u00e9e \u00e0 Avignon, France, en 1975. Vit et travaille \u00e0 Saint-Coulomb (35) Repr\u00e9sent\u00e9e par la Galerie S\u00e9gol\u00e8ne Brossette, Paris Formations 2002 DNSEP f\u00e9licitations du jury &#8211; Ecole Sup\u00e9rieure Nationale d\u2019Art de Cergy-Pontoise (95) 1998\u00ab Le corps de la musique\u00bb, Ma\u00eetrise Arts Plastiques mention Tr\u00e8s Bien &#8211; Universit\u00e9 des Lettres et des Sciences Humaines &#8211; Aix-en-Provence\u2026","_links":{"self":[{"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/pages\/261"}],"collection":[{"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":130,"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":3634,"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/pages\/261\/revisions\/3634"}],"wp:attachment":[{"href":"https:\/\/www.laurencenicola.com\/labo\/wp-json\/wp\/v2\/media?parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}